![]() ![]() Because she doesn’t want her son to die, though, she struggles to fully banish the ghost of her husband from her life. Alving’s life, evidence of her husband’s immoral ways. According to this line of thought, Oswald is just another “ghost” in Mrs. ![]() ![]() Nevertheless, Ibsen uses Oswald’s syphilis to outline the idea that certain painful histories don’t simply disappear, but instead resurface in generations to come. ![]() The implication in the play is that he inherited this from his father, despite the fact that this is biologically impossible. Now, though, she learns that Oswald is entering the late stages of syphilis, which is what killed her husband. Alving thinks, believing that Oswald is nothing like his debauched father because he spent his formative years far away from the man. This is evident in many ways throughout the play, as Oswald Alving’s life begins to resemble his late father’s, despite the fact that he has supposedly led a much different existence. The play’s Norwegian title, Gengangere, is the Danish word for ghosts, but it also has connotations of repetition, suggesting that Ibsen is interested in examining how the past repeats itself. Ghosts is a play about how the past influences the present. ![]()
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